Portret van bisschop Jacobus Franciscus van Vree 1832 - 1873

Wilhelmus Cornelis Chimaer van Oudendorp created this portrait of bishop Jacobus Franciscus van Vree, likely in the mid-19th century, using a printmaking technique. This image isn't directly sculpted, painted, or drawn. Rather, it emerges from the industrialization of image-making. Printmaking allowed for the wide dissemination of portraits. In this context, this portrait is both an artwork, and a tool of social power. The bishop's image could be circulated, reinforcing his authority within the community. Look closely, and you'll see the fine lines and subtle tonal gradations achieved through the printmaking process. The act of reproducing images was becoming increasingly democratized, yet the choice of subject matter often reflected existing social hierarchies. Considering the materials, making, and context of this artwork encourages us to rethink traditional notions about fine art and craft.