Ontwerp voor een stralenmonstrans met het monogram IHS c. 1760 - 1770

Curator: Looking at this preliminary sketch, it’s compelling how Valadier is engaging with power dynamics, and their relationship to religious authority. Editor: Yes, it does give an initial impression of grandiosity! There's something inherently imposing about its sheer scale and intricate detail for a design, all articulated through delicate pen strokes. What do we know about this work? Curator: This drawing, attributed to Luigi Valadier, is titled "Ontwerp voor een stralenmonstrans met het monogram IHS", and was likely conceived between 1760 and 1770. Editor: As a drawing for what would be crafted from precious metals, possibly incorporating gems, I am interested in its origins in craft traditions and modes of making. Monstrances were, and still are, such a fascinating example of conspicuous display of wealth and technical skill, to inspire and reify power. Curator: Exactly. Consider how the Baroque style, particularly prevalent during the Counter-Reformation, amplified the visual language of power through ornate, emotive displays intended to inspire faith and obedience. In this design, Valadier employs allegorical figures and iconography, like cherubs and the IHS monogram, within this structure. Editor: And notice how that IHS monogram is at the center— that really would have acted as the locus of attention when in 3D, no? And how each of the design's elements contributes to an overwhelming sensory experience for the worshipper. Curator: Precisely. Furthermore, the radiant sunburst design speaks to the theatricality inherent within religious structures, intending to construct divine authority through materiality and performance. The church historically used such mechanisms for consolidating spiritual control over their congregants. Editor: Seeing it through that lens – the lens of performance – gives added significance to something that otherwise may appear only as beautiful embellishment! Thanks for illuminating how material and faith meet. Curator: Thank you! Considering artwork’s context reminds us of our need for continued critical engagement with such imagery and how it still shapes our worldview today.