tempera, painting, fresco, architecture
portrait
narrative-art
tempera
painting
prophet
sculpture
holy-places
figuration
historic architecture
fresco
traditional architecture
christianity
history-painting
academic-art
italian-renaissance
architecture
historical building
christ
Dimensions 190 x 500 cm
Cima da Conegliano, in the late 15th or early 16th century, painted "St. John the Baptist and Saints" using oil on panel. This work showcases the materiality of oil paint, with its capacity to build luminous layers of color. The slow, meticulous process of oil painting allowed Conegliano to achieve a porcelain-like surface, demanding immense patience and skill. Note how this technique captures the textures of cloth, skin, and stone with remarkable fidelity. The painting's social significance lies in its demonstration of both artistic and artisan skill. The artist was deeply engaged with the prevailing modes of production, where artistic skill was not separate from craftsmanship. The act of creating such a piece involved not only artistic vision, but also physical labor, reflecting the interconnectedness of art, craft, and the broader social context. The very making of this painting challenges distinctions between fine art and craft.
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