The Syllable U- A Gift of an Artifical Plum Branch and Pheasant by Katsukawa Shunsho

The Syllable U- A Gift of an Artifical Plum Branch and Pheasant c. 1770 - 1773

0:00
0:00

print, ink, woodblock-print

# 

narrative-art

# 

ink painting

# 

print

# 

asian-art

# 

ukiyo-e

# 

figuration

# 

ink

# 

woodblock-print

Dimensions: 8 7/8 × 6 3/16 in. (22.54 × 15.72 cm) (sheet, chūban)

Copyright: Public Domain

Editor: Here we have Katsukawa Shunsho's "The Syllable U- A Gift of an Artificial Plum Branch and Pheasant," dating from around 1770-1773. It’s a woodblock print. I find the composition really striking - the balance between the figures and the architectural space is interesting. What compositional elements stand out to you in this print? Curator: I observe a careful articulation of space through linear perspective and the arrangement of planes. Note the tatami mats and the shoji screens; they establish a structured environment within which the figures are positioned. It is a calculated geometry to contain the figures. What, then, of the coloration? Editor: The subdued color palette contributes to a calm, almost austere, atmosphere, wouldn’t you agree? The blacks and muted reds really set a refined mood. The curve of the pheasant, plum branch and the women is placed almost in defiance of the strict rectangular planes of the space in the background. Curator: Precisely. The restrained palette focuses attention on the interplay between line and form. Observe the rendering of the figures' garments. How does Shunsho employ line to define their shape and texture? Editor: It’s all about elegant simplicity, isn't it? The lines are delicate yet precise, conveying the folds of the robes and the figures' posture with minimal detail. Does this visual style place Shunsho as primarily linear in comparison to other printmakers of this period? Curator: Arguably, yes. One could analyze Shunsho’s use of line as a method for imposing order upon representation, directing the viewer's gaze through carefully orchestrated contours and internal divisions of form. To extend on this structural device, how do you observe use of internal symmetry? Editor: Intriguing thought. Although not a strict mirrored image, I observe compositional echoes such as that of the man and woman mirroring posture while one looks in, the other is looking out. I will spend some more time closely observing symmetry in prints such as these from now on. Thank you. Curator: The formal nuances provide avenues into further research for a more enriched experience.

Show more

Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Number 24 in the series, which follows the iroha-system.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.