Verklaring bij de prent 'Dood van generaal Montgomery' by Johan Frederik Clemens

Verklaring bij de prent 'Dood van generaal Montgomery' 1798

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drawing, pencil, engraving

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portrait

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drawing

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neoclacissism

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pencil sketch

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pencil

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history-painting

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engraving

Dimensions: height 251 mm, width 424 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Explanation of the print 'Death of General Montgomery'," created by Johan Frederik Clemens in 1798. It’s currently housed at the Rijksmuseum. The artwork features several sketched figures with incredible detail, despite being a relatively small drawing on paper. I find the grouping and numbering of the figures intriguing, creating a sense of historical documentation. What strikes you about this piece? Curator: What I see here is more than just a depiction of death, but an exercise in crafting public memory during a volatile political climate. This engraving attempts to control the narrative surrounding General Montgomery's death, a crucial event during the American Revolutionary War. Clemens aims to freeze a particular interpretation for posterity. Editor: Could you elaborate on "controlling the narrative?" What exactly was Clemens trying to convey? Curator: Consider the detail given to each figure, especially the varied depictions of headwear denoting rank and origin within the American forces. Even in defeat, this attention suggests a desire to construct a unified American identity and inspire nationalism despite the loss of a prominent leader. Who is included, and how are they portrayed, matters immensely for establishing a legacy. Editor: So, the artist’s choices, such as including those varied depictions of headwear, helped to build this American identity even with the heavy topic of death? Curator: Precisely. Furthermore, consider where this was published. Likely reaching both European and American audiences, the print served a didactic function, both explaining and shaping understanding of a pivotal event. Visual media had tremendous power in solidifying collective identities and legitimizing political causes. Editor: That gives me a totally different perspective on what I thought was simply a historical record. Now, it appears this engraving functions as political and cultural tool! Thank you! Curator: My pleasure. Hopefully this helped to underscore the powerful influence of political and socio-economical settings on even seemingly straightforward artwork.

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