Pair of -chrysanthemum- Candelabra 1891 - 1902

Editor: Here we have a Pair of Chrysanthemum Candelabra, crafted by Charles T. Grosjean between 1891 and 1902, using silver and other metals. It has a wonderfully ornate quality, quite elaborate. What can you tell me about the symbols in this piece? Curator: Indeed, the elaborate nature is very intentional! These candelabra immediately evoke a sense of ritual and ceremony, wouldn't you agree? The chrysanthemum itself is laden with symbolism. In many Eastern cultures, and certainly influencing Western tastes by the late 19th century, the chrysanthemum represents longevity, joy, and even royalty. Notice how Grosjean hasn't simply applied the motif; it blossoms across the entire structure. What effect does that repetition have, do you think? Editor: I see. So it isn't just decoration but really part of the... language of the object. The repetition emphasizes the abundance of positive attributes, then? The prosperity and joy, the wealth? Curator: Precisely. Silver, of course, adds another layer. Think of its historical use – in religious objects, royal settings, fine dining. It speaks of purity, value, status, even power. This wasn't simply for illumination; it was about communicating a very specific message of established elegance, wasn't it? Editor: Definitely makes me think about how objects shape our understanding of the past. It gives objects such incredible evocative weight! Curator: Agreed, the continuity of symbols connecting us across time. Wonderful, isn’t it?