Portret van Joshua Kirby 1730 - 1804

John Dixon created this portrait of Joshua Kirby using mezzotint, a printmaking technique that allows for rich tonal range and depth. The work provides a glimpse into the world of 18th-century artistic and intellectual circles. Portraits like these served to solidify social standing, embodying the sitter's identity within a rigid class structure. The way Kirby is depicted—his gaze, clothing, and powdered wig—speak to the visual codes of masculinity and status of the era. Yet, mezzotint as a medium allowed for a democratization of images. These portraits could circulate beyond the elite, inviting a broader audience to engage with and emulate the values and identities represented. Consider how the portrait reflects societal ideals, and perhaps, even challenges them. What do you make of the emotional connection—or disconnection—you feel with Kirby?