Settee c. 1936

This is Harry Eisman's 'Settee', drawn at an unknown date with an unknown medium. It's interesting how the precise lines and measurements give the object a real sense of presence. It's less about the depiction of an object than the process of envisioning it into existence. Look closely at the lines; there's a mix of confidence and care. The sepia tones and uniform line weight create a sense of quietude and purpose. The regular structure of the settee's back is broken by the irregular verticals. It's like a meditation on stability and change, or control and freedom, which is the struggle for any maker. The subtle variations in line weight humanize it, giving it a kind of visual breath. I see a connection to Agnes Martin’s grids, a similar balance of precision and the handmade. Both invite a kind of contemplative viewing, where the simplicity of form allows for a deeper exploration of the surface and material. In the end, it's about the dialogue between the artist, the object, and us.