About this artwork
Crispijn van de Passe the Younger created this print of two courtesans using engraving techniques. On the left, “La belle Zaouannare Cour” displays a cross, a symbol that transcends its overt religious meaning. The cross, since antiquity, is seen in numerous contexts, from ancient Egyptian ankhs to various forms in pre-Christian cultures, symbolizing life or cosmic balance. Here, it dangles over a bare chest, an evolution from a symbol of devotion to one of adornment, perhaps even subversion. The jewel worn by the courtesan carries the emotional weight of a sacred object adapted for worldly display. This transformation highlights our complex relationship with symbols, how they’re remembered, reinterpreted, and imbued with new meaning. A symbol never remains static.
Portretten van twee courtisanes
1630 - 1632
Crispijn van de (II) Passe
1597 - 1670Location
RijksmuseumArtwork details
- Medium
- print, engraving
- Dimensions
- height 109 mm, width 154 mm, height 116 mm, width 161 mm
- Location
- Rijksmuseum
- Copyright
- Rijks Museum: Open Domain
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About this artwork
Crispijn van de Passe the Younger created this print of two courtesans using engraving techniques. On the left, “La belle Zaouannare Cour” displays a cross, a symbol that transcends its overt religious meaning. The cross, since antiquity, is seen in numerous contexts, from ancient Egyptian ankhs to various forms in pre-Christian cultures, symbolizing life or cosmic balance. Here, it dangles over a bare chest, an evolution from a symbol of devotion to one of adornment, perhaps even subversion. The jewel worn by the courtesan carries the emotional weight of a sacred object adapted for worldly display. This transformation highlights our complex relationship with symbols, how they’re remembered, reinterpreted, and imbued with new meaning. A symbol never remains static.
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