print, engraving
ink drawing
narrative-art
figuration
history-painting
italian-renaissance
engraving
Dimensions 115 mm (height) x 91 mm (width) (bladmaal)
This small, anonymous print depicts Jesus before Herod. Consider how it frames the complex relationship between religious authority and political power. The scene comes from the Gospel of Luke. Herod, intrigued by Jesus but uncertain of his divine status, questions him but receives no answers. The print, likely made in Northern Europe during the 16th century, reflects a culture deeply divided by religious reform. The Protestant Reformation, which questioned the authority of the Catholic Church, had created a climate of intense scrutiny regarding religious imagery and its purposes. Notice how Herod is enthroned and richly dressed, while Jesus is presented as humble and serene, yet bound. The artist uses this contrast to suggest a critique of worldly power versus spiritual authority. Understanding this print requires us to research the period’s religious debates and the role of prints in disseminating ideas. We need to ask, how did images like this function in a society grappling with new religious identities and challenges to traditional authority?
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