Zelfportret van Christoph Wilhelm Bock op 22-jarige leeftijd by Christoph-Wilhelm Bock

Zelfportret van Christoph Wilhelm Bock op 22-jarige leeftijd 1777

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Dimensions: height 117 mm, width 107 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Self-Portrait of Christoph Wilhelm Bock at the Age of 22," an engraving made in 1777. There’s something stark and rather formal about it. What can you tell me about this piece? Curator: Well, consider the engraving process itself. A metal plate laboriously incised to reproduce an image—that requires intense skill and time. Notice the crispness, the lines; these imply not only personal skill but the investment demanded by the printmaking process itself. Look also at the way Bock has portrayed himself within a roundel – referencing coinage and medallions: these were objects for exchange. Editor: So you're saying the very materials and how they were used shaped the portrait? Curator: Precisely! Engraving allowed for mass production and distribution. Portraits like this weren't just about commemorating an individual. Think about who could afford such items, and for what purpose this image was distributed and consumed. Was it personal promotion? Gifting? And think about the engraver themselves, a craftsman translating Bock's vision, highlighting how class intersects with the art world in even an artwork like this self portrait. The powdered wig becomes not just a fashionable accessory, but a visual representation of societal artifice. Editor: That’s a point that changes the way I see it. It's not just an image, it is a symbol about class and skill, and perhaps how the artist himself wanted to portray his social position? Curator: Exactly. Consider it through a material lens, and it offers a window into the means of production and its inherent social commentary, where artifice becomes an intricate component of this engraver's self. What was simply fashionable, or about commemorating an individual becomes so much more than the image itself! Editor: I never considered it that way. Now I am seeing that what an artist makes something out of makes just as big an impact. Thank you for widening my understanding about the making and cultural context.

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