Dance 2017

Curator: Standing before us is "Dance," a mixed-media piece crafted in 2017 by David Michael Hinnebusch. It has a raw, almost urgent feel to it, doesn't it? Editor: Absolutely. My initial impression is a frenetic energy, a feeling of immediacy and maybe even rebellion. I’m immediately drawn to the layering of the colors and textures. You can almost feel the artist’s hand in its creation, that’s for sure. Curator: The use of acrylic paint really contributes to that raw energy. Its quick-drying nature must have allowed for those spontaneous additions and alterations we can see. There's also the interplay between figuration and abstraction, reminiscent of both portraiture and graffiti art, echoing pop art in its most current form. This piece has really claimed public awareness in recent years. Editor: Precisely! I'm also captivated by the almost careless abandon, or perhaps calculated abandonment with which the medium is handled. It challenges the traditional ideas of art being about pristine surfaces and hidden processes. I bet the consumption of artworks made this way helps the popularity that it gets in return! Curator: And don't forget the crown! It feels both regal and… well, slightly sinister. It raises questions about the position of women in modern media, what does the artist have to say through the figure that can come across as a princess gone astray. There seems to be that feeling. Editor: Good point. It certainly evokes a complexity of interpretations, right? The visible construction, the layering and manipulation of materials is more than just a technical aspect; it really seems to form the foundation of its meaning. It questions art hierarchies and even craftsmanship itself. Curator: Right. Hinnebusch uses these mixed mediums to challenge conventional notions of art and celebrate creativity within society. It certainly shows the importance of examining those frameworks. Editor: Exactly, "Dance" isn't just visually stimulating, it's a great example of artwork designed to trigger meaningful thought of both the maker and the one looking at it. It definitely leaves me considering the possibilities within mixed-media practice and art accessibility for a broader audience. Curator: I agree, it's a reminder of the ever-evolving nature of art and its crucial role within modern socio-political narratives.