Lint op rol, gestreept, lichtblauw met lichtgroen, zwart, geel en rood by Gustav Schnitzler

Lint op rol, gestreept, lichtblauw met lichtgroen, zwart, geel en rood before 1926

photography

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studio photography

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advertising product shot

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product studio photography

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product shot

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still-life-photography

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retro 'vintage design

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photography

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product design photgrpaphy

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product mock up

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graphic design product photography

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product photography

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retail photography

Editor: We are looking at “Lint op rol, gestreept, lichtblauw met lichtgroen, zwart, geel en rood”, or "Ribbon on a Roll, Striped, Light Blue with Light Green, Black, Yellow and Red," a photograph taken before 1926, held in the Rijksmuseum collection. It's a still life of a spool of ribbon against a neutral background, a somewhat unusual subject, I think. It gives off a rather…retro vibe. How do you interpret this kind of piece? Curator: What I find interesting is how this seemingly simple image speaks volumes about consumer culture in the early 20th century. Here, Gustav Schnitzler takes a mundane, everyday item and elevates it, framing it for perhaps advertising or retail. It highlights the increasing emphasis on visual marketing and the rise of consumerism. Editor: That’s interesting. I hadn’t considered its purpose as advertising. Curator: Precisely. Think about the societal shifts occurring. Mass production was booming. Products needed branding and attractive presentation. Photography became a tool to achieve that. Where do you see the impact of those trends here? Editor: Well, the image is very crisp and clean, almost clinical. There is definitely no indication of a human presence; all focus goes toward the object on display. Also, the description stamped on the paper suggests that this "No. 1" ribbon with a manufacture or QA date, and serial or batch identifiers would not have been a unique piece. Curator: Exactly! The photograph acts as a form of documentation but also adds value to the object through aesthetics. Schnitzler makes a statement through the public's desire for carefully crafted images, perhaps. Editor: I see your point. It reflects the way that consumer culture infiltrated even art. I guess I was only considering art created within an explicitly art-historical context. Curator: It reminds us that seemingly “minor” pieces can provide significant insight into social and cultural values. A lot can be gleaned by studying everyday life and commercial practices from earlier times.

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