Boy Blowing Soap Bubbles. Allegory on the Brevity of Life 1663
oil-paint
portrait
allegory
baroque
fantasy art
oil-paint
figuration
vanitas
history-painting
Dimensions: 116 cm (height) x 96.5 cm (width) (Netto), 139.2 cm (height) x 117.1 cm (width) x 9.3 cm (depth) (Brutto)
Karel Du Jardin painted this allegory on the brevity of life with oil on canvas sometime in the 17th century. Oil paint has a unique capacity to convey layers of meaning. In this painting, the medium's ability to mimic the textures of skin, fabric, and even the ephemeral soap bubbles becomes especially poignant. The artist built up the image through layers of pigment, a time-consuming process mirroring the slow accumulation of life experiences. But look closer, and you might ask, how does the artist imbue the painting with social significance? By choosing oil paint, a costly and refined medium, Du Jardin catered to a wealthy clientele. This reflects the economic realities of 17th-century art production, where artistic skill was a commodity. In this way, the artwork itself becomes an object of consumption. By considering the materials and production of this painting, we can appreciate how social context shapes the artwork's message.
Comments
The boy has just lowered his pipe and looks with satisfaction at the bubbles he has sent flying. One hand holds the soap dish, a scallop shell which still holds a few trembling bubbles. The boy is balanced on a giant soap bubble, surfing the waves on an equally giant shell. This vessel constitutes a surreal element within what is otherwise a realistic depiction, proclaiming the motif to be an allegory. The motif is a "memento mori", a reminder of the transience of happiness and the brevity of human life. The work combines two well-known tropes from the 17th century: Fortuna, the goddess of good fortune, rolling on the waves on a ball, and the "Homo Bulla (est)" ("Man is a bubble") concept, which is often portrayed as a child blowing soap bubbles.
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