Design drawing 1878 - 1888

This design drawing was made by Christopher Dresser, likely in the latter half of the 19th century, using watercolor and pen and ink on paper. Dresser was one of the first and most important industrial designers. Here, we see the early stages of his process. The flatness of the design shows his emphasis on pattern, intending that this be applied to a surface. The density of its ornament, and the suggestion of Islamic motifs, connect this drawing to the aesthetic promoted by the South Kensington Museum, now the Victoria & Albert. What is particularly interesting is how the drawing anticipates industrial production. Though hand-rendered, the design seems conceived for machine reproduction, lacking any evidence of the artist's hand beyond the crisp lines and symmetrical composition. Dresser fully embraced the division of labor, which would allow the design to be manufactured efficiently. It is a fascinating synthesis of hand and machine.