Sampler c. 1936

Editor: Here we have Ella Josephine Sterling’s "Sampler" from around 1936, created with watercolor and mixed media on paper. It strikes me as almost dreamlike with its muted colors, like a memory faded at the edges. What do you see in this piece? Curator: Well, isn't it charming? I love how this "Sampler" feels both incredibly delicate and somehow…boldly out of step. Look at that bird—a feathery exclamation point—perched amongst these flowers! The piece hints at historical needlework samplers, traditionally exercises in skill and displays of virtue. But Sterling infuses this tradition with such a unique sensibility; there is an unapologetic charm. It feels less about pristine perfection and more like an intimate conversation, perhaps even a sly wink. Do you notice the numerals almost hidden amongst the leaves? “17” and “33”? Editor: Yes! I did notice those. What do you make of them? Are they significant dates perhaps, or… house numbers? I’m only speculating! Curator: Or codes… initials… I couldn’t possibly say! Isn't that the delicious thing about art? It whispers possibilities, daring you to invent your own story. For me, these touches create a sense of narrative; they hint at some hidden narrative, an internal language which feels special, a touch intimate. I mean, maybe it's pure whimsy… maybe not. The ambiguity is delicious. Editor: I see what you mean! It’s not just a pretty picture. There's a personality imbued. It challenges you to imagine what’s going on outside the frame, outside the immediate imagery, the life of the artist at the time of its making.. Curator: Precisely! And it reminds me that art doesn't always need to shout. Sometimes the quietest voices are the most memorable, right? What a discovery it's been! Editor: Indeed! I’ll definitely be thinking about this piece for quite a while. I appreciate that little nudge toward further learning. Thank you!