drawing, ink, pen, engraving
drawing
landscape
charcoal drawing
figuration
charcoal art
ink
roman-mythology
pen-ink sketch
mythology
pen
history-painting
northern-renaissance
nude
engraving
Albrecht Durer made this print of Hercules in the late 15th century, a time when printed images were a new and disruptive technology. This new media coincided with a renewed interest in classical culture. Durer and other artists looked to ancient myths to explore the values and anxieties of their own society. Here, we see Hercules, a figure of strength, undone by the irrational force of jealousy. Durer suggests that such emotions can lead to violence and destruction. He seems concerned that personal passions might overwhelm reason and order. Made in Germany, during the early years of the Reformation, this artwork shows an artist grappling with a changing world. His detailed style and subject matter invite us to consider the role of images in shaping cultural values. By studying Durer’s artistic choices, and the historical context in which he worked, we can better understand the complex relationship between art and society.
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