Chair Seat 1737 - 1740

This “Chair Seat” was made by Sarah Tyler sometime before 1764, using wool and silk embroidery on a canvas ground. This was no doubt a time-consuming process, demanding great skill and patience. The dense, plush texture invites tactile exploration, yet also implies a certain formality. The profusion of floral motifs, meticulously rendered in vibrant hues, showcases the maker's mastery of needlework techniques. But it also tells a story of social status. Pieces like this were commonly made by women of leisure in the 18th century. Embroidery was regarded as an accomplishment, a mark of refinement and domestic virtue. So, this chair seat isn't just a functional object; it embodies the values and aspirations of its time. The labor involved, though perhaps enjoyed by the maker, speaks to a culture where skill and artistry were intertwined with social expectations. It blurs the boundaries between art, craft, and the everyday realities of domestic life.