Chintz by Suzanne Roy

Chintz c. 1936

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Dimensions: overall: 30.1 x 34.5 cm (11 7/8 x 13 9/16 in.) Original IAD Object: 16" long; 13" wide

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have "Chintz", a textile design drawing created around 1936 by Suzanne Roy, rendered with colored pencil on paper. It’s a really interesting example of pattern design from the mid-20th century. Editor: Wow, the colors are surprisingly muted, almost dusky. The pattern, with the flowers in baskets alternating with those framed cartouches, gives me this immediate sense of… nostalgia, almost melancholic, like faded grandeur. Curator: Absolutely. The medium reinforces this sentiment, as the soft focus from the pencils creates an antique or historical dimension. Floral patterns were often associated with ideas about nationhood and taste formation. Textiles have, historically, played a massive role in defining cultural identity and social hierarchy. Editor: That makes sense. I get the feeling that it’s a deliberate composition. Like she wanted this to have both a feeling of home comfort while subtly poking at established tastes. The flowers themselves look quite wild despite being neatly contained in the baskets and geometric pattern. The almost somber tones are saying something about control versus the natural world. Curator: And textile designs were hugely important industrially; patterns that we now associate with ‘feminine’ labor underpinned much economic progress at that time. Roy herself had a keen eye, drawing upon popular art trends with this specific floral style. She must have thought a lot about what people wanted for their interiors. Editor: Maybe! Or maybe it's more intuitive; that making itself is the point. She created a whole world there. Like peeking through a keyhole into someone’s parlor where the floral walls close in to tell secrets, warm and slightly disturbing all at once. Curator: I agree; even within the confines of mass-produced goods, the potential for expression is powerful. Ultimately, what “Chintz” represents is something that exceeds any economic dimension; design is one means for cultural commentary and innovation. Editor: True. I will remember these subdued colors next time when I see a chintz, looking for clues.

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