The Actor Yoshizawa Ayame II as Hotoke Gozen in the play "Onna Monji Heike Monogatari," performed at the Nakamura Theater in the eleventh month, 1748 by Torii Kiyonobu II

The Actor Yoshizawa Ayame II as Hotoke Gozen in the play "Onna Monji Heike Monogatari," performed at the Nakamura Theater in the eleventh month, 1748 1748

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drawing, print, woodblock-print

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portrait

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drawing

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print

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asian-art

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ukiyo-e

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woodblock-print

Dimensions: 12 × 5 1/2 in.

Copyright: Public Domain

Curator: I'm utterly bewitched! This Japanese woodblock print from 1748 evokes such serenity with its subtle tonality. Editor: There's a certain melancholy to it, though. Like a beautifully staged waiting scene. Curator: Indeed. It's by Torii Kiyonobu II, titled "The Actor Yoshizawa Ayame II as Hotoke Gozen in the play "Onna Monji Heike Monogatari," performed at the Nakamura Theater." It currently resides at The Art Institute of Chicago. Editor: That's quite a mouthful! Heike Monogatari... Tale of the Heike Clan? You almost feel the weight of history. The actor seems almost suspended, gaze fixed upwards, with a strange device falling toward the blossoming plum tree behind them, possibly carried by a falcon. Curator: Precisely! Kiyonobu II expertly utilizes the Ukiyo-e style here to capture the likeness and role of the actor. Note the linear precision and deliberate use of negative space, a hallmark of traditional Japanese prints. Editor: Oh, absolutely, every line so clean and intentional. The pattern on the robe, though ornate, doesn't overwhelm; it flows. And is it just me, or does the entire composition tilt slightly upwards? Curator: It does appear to have a subtle, upward momentum. Consider how this enhances the sense of longing, aspiration even, in the subject's posture. The eye is drawn not only to the main figure but towards what they’re looking at: fate, the future… Editor: Right, almost like they're reaching towards something unattainable. The subdued color palette adds to the pensive atmosphere. It is quiet in a dramatic sort of way, if that makes sense. Curator: Perfectly. The visual harmony of form and restraint of color elevates it beyond mere portraiture, becoming a meditation on character, performance, and the transience of life itself. Editor: Makes you wonder what drama is about to unfold off-stage or what story it tells. Intriguing to ponder the symbolic weight of seemingly minor elements— the blossom, the bird, the falling weight — they definitely all tie together!

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