Stefanus voor de hogepriester before 1646

This is a woodcut titled ‘Stefanus voor de hogepriester’ by Christoffel van Sichem II, dating from around the early 17th century. Observe how the composition is structured around a central space where the accusation of Stephen unfolds. The artist uses a precise, linear style to define forms and textures which creates a rich visual experience. The perspective, though not mathematically accurate, draws us into the scene, positioning us as observers of this pivotal moment. Notice the architectural elements—the columns, arches, and the steps—which not only frame the scene but also impose a sense of order and authority. Consider how the dense, cross-hatched lines create a sense of depth, while the stark contrast between light and shadow heightens the drama. The figures are rendered with close attention to detail, capturing their gestures and expressions. Note the dog in the bottom foreground. Is this a commentary on loyalty, or a symbol of the everyday amidst religious upheaval? Van Sichem’s intricate work invites us to explore the intersections of power, faith, and representation in a world defined by its own complex codes and structures.