drawing, lithograph, print, ink, pencil
drawing
ink drawing
lithograph
landscape
ink
pencil
united-states
cityscape
realism
Dimensions 9 7/16 x 13 9/16 in. (23.97 x 34.45 cm) (image)11 3/8 x 16 1/8 in. (28.89 x 40.96 cm) (sheet)
Anthony Angarola's "Bench Lizards", a print made in 1928, captures a scene of figures gathering in a park, evoking a sense of communal repose. The figures, scattered across benches and grounds, resemble lizards basking under the sun, a scene of leisure. The lizard, a cold-blooded creature, often appears in mythology representing rebirth and transformation, shedding its skin to emerge anew. The image invites one to contemplate the cyclical nature of rest and activity and the human longing for warmth and comfort. Consider the ancient mosaics of Roman bathhouses, where similar scenes of repose unfolded, hinting at the timeless human need for respite and connection. Here, the gathering, basking together, suggests a primal human drive for connection and shared experience. The artist creates a powerful image that taps into our collective memory and our subconscious yearning for belonging and warmth. The scene is more than just figures in a park; it is an echo of ancestral gatherings, a testament to the enduring human desire for community and comfort.
Comments
Chicago-born Anthony Angarola celebrated his native Midwest in his art, especially the ethnic neighborhoods. The son of Italian immigrants, it took him nine years to put himself through the School of the Art Institute of Chicago. Then he became a teacher himself. Art historian Susan S. Weininger writes that he "loved to paint out of doors and often would take his classes to favorite spots." He enjoyed finding simple shapes in urban scenes such as Bench Lizards. Just after returning from Italy on a Guggenheim Fellowship in 1929, Angarola died, at age 36, from a car accident.
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