Dimensions 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm)
This flower painting was created by Mianyi, likely in the late 18th or early 19th century, using ink and color on paper. The materials themselves speak to a rich cultural tradition. Ink, derived from carbon, and natural pigments would have been carefully prepared. Paper, in particular, carries significance in Chinese art, prized for its ability to absorb ink and capture delicate brushstrokes. Look closely and you'll see how Mianyi masterfully manipulates these materials. Varying the ink density, he creates depth and texture in the petals and leaves. The brushstrokes themselves are expressive, revealing a sensitivity to the natural forms he depicts. This wasn't simply about representation; it was a collaboration between the artist, his materials, and the subject matter. It's a reminder that artistic expression is deeply intertwined with the materials we choose and the ways in which we manipulate them. The finished work invites us to appreciate not just the image, but the artistry embedded in the very process of its making.
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These delicate flower studies were painted by Mianyi , an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy, but he excelled at painting and is best known for his flower studies, The use of color (versus ink), interest in descriptive detail, and facile technique are typical not only of Prince Chen, but of Chinese court taste in general during the eighteenth century. This album illustrates the type of amateur painting practiced among the court intelligentsia. Descriptive, technically accomplished and decorative, the aesthetic of these leaves are quite apart from the more cerebral ink landscapes of the literati tradition
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