painting, paper, watercolor, ink
water colours
painting
asian-art
paper
watercolor
ink
watercolor
Dimensions 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm)
Mianyi made this flower painting with ink and color on paper, but the date remains unknown. Flower painting in China was not simply about aesthetics. It was deeply intertwined with social status and intellectual pursuits. Mianyi lived during the Qing dynasty, a time of significant social and political change. The Manchu rulers, while preserving many Chinese traditions, also exerted their own cultural influence. The flowers that Mianyi painted here held symbolic meanings. The choice of specific flowers, their arrangement, and even the colors used, conveyed messages about moral qualities, social harmony, and personal aspirations. It could be argued that Mianyi's choice of subject matter reflects his own views on society and the role of the individual within it. To fully appreciate this work, we might research the specific varieties of flowers depicted, their cultural significance, and the social context in which Mianyi lived. This could reveal much more about the social meanings of this beautiful painting.
Comments
These delicate flower studies were painted by Mianyi , an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy, but he excelled at painting and is best known for his flower studies, The use of color (versus ink), interest in descriptive detail, and facile technique are typical not only of Prince Chen, but of Chinese court taste in general during the eighteenth century. This album illustrates the type of amateur painting practiced among the court intelligentsia. Descriptive, technically accomplished and decorative, the aesthetic of these leaves are quite apart from the more cerebral ink landscapes of the literati tradition
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