Gezicht op Arnhem vanaf de rivier gezien, 1742 by Hendrik Spilman

Gezicht op Arnhem vanaf de rivier gezien, 1742 1745 - 1774

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print, etching, engraving

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baroque

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dutch-golden-age

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print

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etching

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landscape

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cityscape

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engraving

Dimensions: height 86 mm, width 107 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a piece called "View of Arnhem from the River" dating around 1745-1774, an etching and engraving by Hendrik Spilman. It resides here at the Rijksmuseum. Editor: Oh, a quiet vista! It feels very…orderly. See how the buildings huddle beneath that immense, flat sky? It makes the town seem both vulnerable and enduring. A gentle, serene feeling comes to mind. Curator: That tranquility is brilliantly crafted through meticulous etching techniques. Observe how Spilman utilizes the varying densities of lines to evoke depth. The controlled, almost clinical detail pulls one in. And those twin church spires – divine! Editor: They do punctuate the skyline nicely, but I'm caught by the river. It's practically still. And what’s going on in those little boats? Someone ferrying goods? The ordinary captured with…respect, maybe? Curator: Certainly! And structurally, the waterway acts as this grounding horizontal band that mirrors the sky's openness with its linear perspective. It emphasizes clarity. Think of this etching less about romantic Baroque drama and more a celebration of Dutch pragmatism and the Golden Age's love for detailed landscape. Editor: But isn’t there a hint of that Baroque influence lingering? All that light! It catches on the rooftops. Gives everything this luminous, hopeful glow. You’ve got your structure, yes, but light also guides us. It makes me think that the people who made the decision to depict such clarity appreciated not only stability and hard work but hope. Curator: Intriguing observation! I agree to a point. Though, one might argue the 'glow' is an outcome of skillful engraving rather than intent. I see what you’re saying: perhaps art doesn’t need grand gestures to evoke emotion; instead it allows viewers to have a space for meditative connection, just by taking it all in! Editor: Yes, precisely. It’s like a visual poem; quiet yet filled with subtle emotion, wouldn't you say? Thank you, Hendrick! Curator: An interesting exploration; that’s all for today, folks! We hope you enjoy the exhibit as you connect to Spilman's "View of Arnhem from the River.”

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