Tea Time by David Burliuk

Tea Time 1946

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painting, oil-paint, watercolor

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portrait

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painting

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oil-paint

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oil painting

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watercolor

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genre-painting

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portrait art

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modernism

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watercolor

Copyright: David Burliuk,Fair Use

Curator: Here we have David Burliuk's "Tea Time" created in 1946. The piece employs oil paint, and in places watercolor, lending a fascinating visual texture. Editor: Mmm, it has a curiously wistful quality. The subdued palette feels like a faded memory. Almost melancholic. Curator: Notice the clear division of space, a classic structural element. The subjects are firmly anchored either side of the filled table—a pipe-smoking figure with his ornate samovar against a robustly rendered, but seemingly pensive, female subject. Editor: I see a painting of simple, shared existence…domestic harmony perhaps, though slightly surreal. Her eyes meet his. His look like one filled with memory, staring past the teacup and out towards the visible snowy hills through the window beyond, almost mournful. Curator: Indeed. It evokes a tangible atmosphere of everyday life, a genre scene deliberately abstracted through the artist's style, as demonstrated by its stylized human figures, lending this an underlying element of modernity. Note the formal relationships established between objects in the foreground and background, a calculated juxtaposition. Editor: But even with these carefully chosen compositions, there's a charming sense of naive wonder to the work too, as if a memory is coming to us through rose-tinted spectacles, like gazing upon a particularly dear dream. What really strikes me, though, is how it captures the weight and passage of time. It has the essence of enduring love. The work reminds me of a cozy afternoon chatting with my own grandmother. Curator: Your response speaks to the artwork’s broader symbolic meaning. By rendering subjects from everyday life through the lens of modernism, the artwork prompts contemplation upon universal aspects of the human condition, shared experience, the value of the passing day and its moments, with just a hint of semiotic analysis. Editor: Beautifully said, yes. An ordinary tableau brimming with subtle beauty and deep feeling. And a quietness that suggests we ought to make tea time sacred time again.

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