Sunday 1985 - 1989

Editor: This is John's *Sunday*, currently in the Tate Collection. It's a large painting and I'm struck by how it captures the intimacy of a family meal, but there's also a sense of quiet melancholy. What societal narratives do you think are embedded in this work? Curator: It indeed captures a domestic scene that, at first glance, seems ordinary. But consider the socio-political context: How does the depiction of labor, particularly women's labor in preparing and serving the meal, speak to the power dynamics within the family structure? How does the artist portray gender roles within the domestic sphere? Editor: I hadn't really considered that. It's interesting to think about the gendered expectations around domestic spaces. Thanks, that gives me a lot to think about! Curator: My pleasure. Art invites us to question our assumptions and the societal structures that shape our lives.