Anne Tucker by Mike Mandel

Anne Tucker 1975

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print, photography

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portrait

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print

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street-photography

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photography

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historical photography

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modernism

Dimensions: image: 8 × 5.5 cm (3 1/8 × 2 3/16 in.) sheet: 8.9 × 6.3 cm (3 1/2 × 2 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: The work we’re looking at is titled “Anne Tucker,” a photographic print made in 1975 by Mike Mandel. It's striking. Editor: Whoa, instant nostalgia. I'm flooded with memories of grainy baseball cards and awkward poses in childhood photos. It's so…genuine, yet oddly staged, like she’s waiting to catch a fly ball that’s also her destiny. Curator: Absolutely. Notice how Mandel, a modernist street photographer, plays with the visual language of collectible sports cards. On one level, he immortalizes the curator Anne Tucker with her name printed clearly in the front of the “card.” But there’s also the symbol of readiness and action in the sporting pose, perhaps referencing Tucker's own dynamic engagement with art history. Editor: You know, the black and white amplifies that retro feel and creates such a beautiful sense of timelessness. The black shirt and jeans contrasted with her catcher’s glove and watchful eyes; she is really drawing me in. There's something beautifully unsettling about placing someone in such a casual pose, almost confrontational, but with affection. Curator: It's as though Mandel is subverting our expectations. Baseball cards are, typically, of athletes in mid-action—perfectly captured athleticism. The awkward angle and almost melancholy atmosphere surrounding Tucker subvert that visual rhetoric. The contrast reveals the iconic nature of baseball cards to be about visual memory rather than only admiration. Editor: And it's also, I think, playing with our relationship to images. Like, how we collect and memorialize individuals – transforming someone into a tradeable object. It's really very poignant. It's not about glorifying a celebrity or a moment of sport prowess. It's asking you to consider an image. Curator: Precisely. It's a commentary on celebrity and the art world itself. Editor: Yeah, and also what we choose to preserve and why. You’ve given me a lot to think about, thank you. Curator: It was my pleasure! Mandel prompts us to reflect on how we build narratives, both visual and historical, around the individuals who shape our culture.

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