Dell Darling, Catcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

Dell Darling, Catcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes 1887

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print, photography, gelatin-silver-print

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portrait

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still-life-photography

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pictorialism

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print

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baseball

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photography

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gelatin-silver-print

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Editor: So this is a baseball card, a gelatin silver print from 1887. It's part of the Old Judge series of baseball cards produced by Goodwin & Company. The sepia tone gives it this very antique, nostalgic feel. What stands out to you when you look at it? Curator: It’s the layers of cultural encoding, of course! We see a very particular kind of ideal—Dell Darling, frozen in a moment of anticipation, a paragon of athleticism associated with Chicago. And consider, the "Old Judge" name implies authority, trust... while subtly, very subtly, associating it all with the *pleasures* of tobacco. What does the baseball card signify in 1887? Editor: A commercial collectible, definitely tied to popularity and branding, but also early sports fandom. I wonder about the pose… is it natural? Curator: Likely staged, carefully constructed. Note his hands, ready to catch, but the light? It almost suggests an expectation of grace under pressure – even destiny. The photographic print process adds a layer—the light and shadow define more than just shape. Editor: That connection to light as more than just light, but also representation... is interesting! What sort of “ideal” is the image conveying about turn of the century sport, and business, at the same time? Curator: An aspiration! Physical prowess intertwined with morality, tied to consumerism and civic pride – that 'Chicago' on his uniform looms large, yes? These early photographic portrait cards gave the illusion of familiarity, access, turning athletes into heroes for mass consumption, symbols of early American identity. Editor: I hadn't really thought about all those different facets at once. Seeing him as an early sort of manufactured idol really puts it in a new light. Curator: It changes our reading, right? Makes it not just about baseball, but about what America, at that moment, wanted to *believe* baseball – and business – stood for.

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