Untitled (woman with a cane) c. 1925

Curator: This photograph, taken by Martin Schweig, is simply called "Untitled (woman with a cane)." It resides here at the Harvard Art Museums. Editor: It's striking. The shadows create such dynamic shapes on the ground, contrasting with the woman's still pose. Curator: Yes, and consider the implications of her cane. Is it a symbol of elegance, or does it denote a certain social status or perhaps even a physical ailment? Editor: I'm drawn to the tonality. The grayscale is so carefully modulated, with deep blacks balanced by soft whites, giving the scene a tangible depth. Curator: And let's not forget the backdrop. It is suggestive of the elite, but it’s more than just an attractive setting. It reinforces ideas of access and privilege. Editor: Seeing the overall composition, the diagonal line of the cane mirrors the unseen diagonal of the wall, creating a satisfying visual harmony. Curator: Ultimately, this photograph encapsulates a specific moment and invites contemplation about the role of women in the early 20th century. Editor: It’s remarkable how much visual information is contained within such a seemingly simple black and white print.