Gezicht op de verzameling van Emil Riebeck op de binnenplaats van het Kunstgewerbemuseum in Berlijn by Hermann Rückwardt

Gezicht op de verzameling van Emil Riebeck op de binnenplaats van het Kunstgewerbemuseum in Berlijn 1884

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print, photography, gelatin-silver-print

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print

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photography

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gelatin-silver-print

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cityscape

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genre-painting

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realism

Dimensions height 246 mm, width 334 mm

Editor: Here we have a photograph, "Gezicht op de verzameling van Emil Riebeck op de binnenplaats van het Kunstgewerbemuseum in Berlijn," taken in 1884, a gelatin silver print by Hermann Ruckwardt. The sheer density of objects is what strikes me first. What do you see in this crowded composition? Curator: I see a collector's desire to hold onto remnants of civilization. Riebeck's collection isn't merely a gathering of objects, but a statement about cultural memory. Consider the era – the late 19th century, a period of intense industrialization. What psychological role might such a collection have served amidst such rapid change? Editor: I hadn't thought of it in that way, as a possible reaction to industrialisation! So, the act of collecting is itself a symbol? Curator: Absolutely. These carefully arranged objects represent a longing for continuity, a visual tether to a past that’s quickly fading. How does the museum setting itself contribute to this understanding? Editor: The architecture definitely frames the objects, elevating them but also placing them within a specific cultural context. Do you think Riebeck was intentionally creating a "cabinet of curiosities" of sorts, preserving objects from around the world? Curator: Precisely. Think of it as a micro-cosmos, reflecting not just the world’s diversity but also Riebeck's worldview and personal narrative. It is interesting to observe that genre painting blends here with cityscape, an outside "captured" into the walls of an interior. The objects speak, they do "genre-painting" on their own. What is your overall impression? Editor: I'm struck by how a seemingly straightforward photograph can reveal so much about the collector's mindset and the anxieties of the time. I learned a lot. Thanks. Curator: Indeed! It shows how even an image of objects can carry so much emotional weight and cultural meaning. The visual vocabulary expands with each artwork we contemplate.

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