Llangollin in the County of Denbigh, from the Turnpike Road Above the River Dee by Paul Sandby

Llangollin in the County of Denbigh, from the Turnpike Road Above the River Dee 1776

0:00
0:00

drawing, print, etching, paper, pencil

# 

drawing

# 

neoclacissism

# 

print

# 

etching

# 

landscape

# 

paper

# 

pencil drawing

# 

england

# 

pencil

Dimensions 239 × 315 mm (plate); 320 × 463 mm (sheet)

Editor: So, here we have Paul Sandby's "Llangollin in the County of Denbigh, from the Turnpike Road Above the River Dee", made in 1776. It's a landscape done with pencil and etching, and it just feels…distant, somehow. The sepia tones add a real sense of nostalgia. What catches your eye when you look at this piece? Curator: It’s funny you say "distant," because it feels like an invitation to me! The scene breathes, doesn't it? Those layered hills, the winding river... Sandby is showing us not just a place, but a journey through a very human landscape. It's the kind of place you imagine yourself wandering through. Notice how the light dances off that hillside to the right – it’s like a spotlight on some untold story. I wonder, do you think this is idealized or a more realistic portrayal of the time? Editor: That's a great question. It's idealized, isn't it? It seems so perfectly composed, almost too picturesque to be a straight representation. Is that a hallmark of the Neoclassical movement, perhaps? Curator: Precisely. There's a deliberate elegance, isn't there? A sense of order, even in the wilderness. But that touch of humanity there, in the figures making their way along the path…it saves it from being sterile. He captures the picturesque, sure, but he also suggests a living, breathing world. What I like to imagine is Sandby, sitting just off the road to create the art... what do you think the scene around him looked like while capturing the landscape we now see. Editor: You know, focusing on the figures brings a different layer. They add a relatable scale. It's interesting how that small addition transforms the work, suggesting narrative and use for an art piece I initially interpreted in another way. Curator: Absolutely! I've spent hours looking at this etching, each time finding something new in it. What a wonderful dance between art, artist, landscape, and viewer. Editor: I never thought I'd find myself thinking about 18th century turnpike roads! This has really changed my perspective.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.