Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Leon Kossoff, born in 1926, created this intriguing etching titled "The Holy Family on the Step." It resides in the Tate Collections. Editor: There's a striking sense of movement and almost frantic energy rendered in monochrome; the density of the lines really conveys the scene’s vitality. Curator: The dense cross-hatching and use of line, typical of Kossoff, create a visual texture that almost obscures the figures, drawing attention to the materiality of the printmaking process itself. Editor: Looking at Kossoff through the lens of postwar art, we can see how this treatment elevates the everyday; the Holy Family is placed in an ordinary setting, suggesting a universal, accessible spirituality. Curator: I agree; the formal arrangement and lack of idealized depiction shifts the focus to the raw emotion rather than religious iconography. Editor: It's a secular rendition of a sacred moment that resonates powerfully. I see a family, regardless of their religious affiliation, struggling together in what appears to be a cramped setting. Curator: The formal complexity is what captivates me—the play between the chaotic lines and the implied structure. Editor: Ultimately, it's this tension that provides such enduring appeal.
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http://www.tate.org.uk/art/artworks/kossoff-the-holy-family-on-the-step-p11718
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This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by old masters; in this case The Holy Family on the Steps, 1648, by Nicolas Poussin (1594-1665), owned by the Cleveland Museum of Art, Ohio. It was printed in an edition of twenty with ten artist’s proofs; Tate owns number three of the artist’s proofs.