Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is "The Testament of Eudamidas (2)" by Leon Kossoff. It's a print, so it has a kind of ethereal feel to it, but also a stark, interiority. What symbols do you see at play here? Curator: I see a profound meditation on mortality and legacy. The figure lying down is surrounded by others, perhaps family or friends, a scene of passing. What catches my eye is that circular form behind them – a sun, perhaps, or an eye. Editor: An eye! That makes me think about observation, remembrance. Curator: Exactly. Kossoff is interested in these timeless moments. Notice how the linework feels both ancient and immediate? It speaks to cultural memory, doesn’t it? It reminds us of similar scenes throughout art history. Editor: I see what you mean. The cycle of life, captured through symbolic imagery. Fascinating. Curator: Indeed. It's a quiet yet powerful reflection.
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http://www.tate.org.uk/art/artworks/kossoff-the-testament-of-eudamidas-2-p11729
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This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by old masters; in this case The Testament of Eudamidas, circa 1645-50, by Nicolas Poussin (1594-1665), owned by the Statens Museum for Kunst, Copenhagen. Tate owns two prints by Kossoff after this Poussin painting (P11728-9). The artist’s ability to explore a number of separate responses while making drawings and prints from a single subject is illustrated in these etchings. Tate owns the only artist’s proof.