Portret van Céline Montaland by Saglio

Portret van Céline Montaland before 1873

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print, photography

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portrait

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print

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photography

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genre-painting

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academic-art

Dimensions height 126 mm, width 88 mm

Curator: Looking at this spread from "Paris-Théâtre," dating back to before 1873, I'm immediately drawn to the "Portret van Céline Montaland." The sepia tone of the photography nestled within such an elaborate printed frame evokes a kind of melancholic grace. Editor: Oh, it has this quiet drama to it, doesn't it? Like a Victorian miniature stage. There’s something both very poised and very vulnerable in her gaze. What really captures my attention, however, is how the print and photo, combined in a periodical, transform a public personality into this intimate viewing experience. Curator: Exactly! The photographic portrait was really rising as a democratizing force around this time, letting everyday people take part in celebrity culture and creating these lasting iconic images. But presenting it like this, enclosed in the magazine, suggests an interesting hierarchy between "high art" and commercial distribution. Editor: It almost feels like framing an experience rather than just a picture. You know, this makes me wonder: Who was Céline Montaland and what kind of roles was she playing? I bet there are hidden messages. It isn't only an image of this actress but the theatre world represented through her eyes, almost becoming part of this grand marketing narrative. Curator: Right, it's the era of grand advertising after all. Notice the pages surrounding her photo are a complete juxtaposition! There's everything from ads for "Hydrotherapie" and "Grand Gymnase Paz" to dubious remedies and services. This photograph is cleverly positioned amidst promises of Parisian leisure, wellness, and excitement. So it does prompt me to reconsider if these pages are only providing visual consumption, or, additionally, also projecting a certain cultural image for a mass readership. Editor: Definitely the latter. And by strategically placing Céline in that mix, doesn’t the magazine make her part of this escapist dream sold to the French bourgeoisie? Seeing her gaze now makes me feel complicit somehow. I see that I'm experiencing my cultural heritage at this moment! Curator: It certainly does make you contemplate, doesn't it? And hopefully that perspective will linger as you continue to explore the other works in our collection today.

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