The First Cloud by  Sir William Quiller Orchardson

The First Cloud 1887

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Dimensions: support: 832 x 1213 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Sir William Quiller Orchardson's painting, "The First Cloud." I find the composition so striking, almost theatrical. What visual elements stand out to you? Curator: The artist's command of perspective, and the strategic use of light to emphasize emotional distance are notable. Observe the woman, bathed in ethereal light, contrasted against the man confined to shadow. Editor: The colour palette seems quite muted, doesn't it? Curator: Precisely. The subdued tones contribute to the somber mood. Consider the interplay between the cool hues surrounding the woman and the warmer tones enveloping the man. Does it perhaps suggest a divergence? Editor: That's a great point; the artist is using color to emphasize their separation. Curator: Indeed. Through careful analysis of the formal elements, we glean a deeper understanding of the painting's narrative.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/orchardson-the-first-cloud-n01520

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tate 1 day ago

This is the last of three paintings by William Orchardson on the subject of an unhappy marriage. The empty space of the parquet floor emphasises the psychological tension between the couple. It suggests that their dispute might lead to more serious problems. When it was first exhibited these lines from a Tennyson’s poem Merlin and Vivien were published in the catalogue: ‘It is the little rift within the lute, That by and by will make the music mute’. Gallery label, November 2016