Portret van Justus Henning Böhmer 1700 - 1749

Curator: Before us, we have a portrait engraving of Justus Henning Böhmer, created sometime between 1700 and 1749 by Johann Friedrich Rosbach. The artwork resides here at the Rijksmuseum. Editor: Wow, he looks...important. But also, slightly uncomfortable? Maybe it’s that wig; it's vying for center stage, honestly. Curator: Wigs were symbols of status during the Baroque period, especially within legal and academic circles. Böhmer was, after all, a highly respected jurist and professor. This image served to project his authority and erudition. Editor: True, it's doing the job, making a statement! But all that formality...doesn't it feel a bit performative? I'm more drawn to the almost imperceptible curve of his lips— a hint of personality peeking through all that pomp. Curator: Precisely, capturing those nuances humanizes the subject, offering viewers a more relatable, albeit controlled, glimpse into Böhmer's character. It's worth noting how portraiture at the time often aimed to legitimize social standing, not simply to reflect physical likeness. Editor: That's interesting, the power dynamic between artist, sitter, and audience feels relevant. Engraving too is a powerful act, as it lends a democratic touch through multiplication, transforming a notable figure into accessible art. The name ‘Rosbach’ at the bottom speaks of legacy for me, the need for art to be appreciated, no matter the time. Curator: Engravings like these were disseminated widely as a form of visual propaganda. Rosbach, here, contributed to solidifying the legacy of prominent figures like Böhmer, shaping public perception through accessible imagery. The fact that the original work continues to evoke contemplation in this very moment attests to art's powerful cultural and historical impact. Editor: Yes. For me it serves as a portal into this professor's past, an intriguing time capsule if you will! Thank you.