print, engraving
dutch-golden-age
mechanical pen drawing
pen sketch
sketch book
landscape
personal sketchbook
sketchwork
pen-ink sketch
pen work
sketchbook drawing
cityscape
genre-painting
storyboard and sketchbook work
engraving
initial sketch
Dimensions: height 81 mm, width 42 mm
Copyright: Rijks Museum: Open Domain
Editor: This print, "Zware storm in Amsterdam, 1674" by Simon Fokke, made between 1779 and 1781, captures a scene of destruction. The line work is incredible. What draws your attention in this piece? Curator: I'm particularly struck by the choice of printmaking here. It allows for reproducibility, suggesting a broader intent to disseminate information about this specific instance of devastation in Amsterdam. Think about the social context: Who was this made for? How did the process of printmaking influence its consumption and the social and material lives it entered? Editor: That's a fascinating perspective! So you're saying the medium itself influences the message. Does the choice of line quality also affect the narrative, because a pen drawing can easily reproduced. Curator: Exactly. Consider how printmaking enabled a wider audience to engage with this scene, fostering collective memory of a disaster and the labor involved in re-building after such damage. Was the choice for Simon Fokke influenced to portray or capture a truthful sentiment of this disaster? It invites scrutiny of the role that materiality plays in both documenting and shaping perceptions of a natural disaster. Editor: I never considered the reproduction process so deeply before. Curator: And see how the scene depicts ordinary people amidst ruined architecture. What does it tell us about the human labor and resilience central to the city's recovery after such events? Does that reflect the larger system it serves, and what's relationship it have to these works. Editor: It emphasizes the shared experience of such widespread loss, it makes it all so tangible now! Thanks! Curator: My pleasure! Focusing on the materials and methods opens up richer understanding of our historical connection to this print.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.