Mensen onder een arcade bij een plein tijdens de overstroming van Parijs 1910 - 1911

This photograph, by G. Dangereux, captures a moment during the Paris flood, presenting a city under siege of water. The sepia tones evoke a sense of distance. It’s like looking into the past, not just at the scene but at photography itself as a medium. The marks of time are etched into the image, tiny scratches and imperfections, which remind us of the physicality inherent to all forms of art making. See how the lanterns hang suspended? There is a tension between the solidity of the architecture and the almost dream-like quality of the light and reflections. It makes you wonder about how Dangereux composed this scene, framing the view through an archway that is both a barrier and a window. It brings to mind the work of Eugène Atget, who photographed Paris with a similarly poetic eye. Ultimately, this photograph reminds us that art is not just about capturing reality, but about transforming it through our own unique perspective.