Edward M. Daily, Pitcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

Edward M. Daily, Pitcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes 1887

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drawing, print, photography

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portrait

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drawing

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print

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baseball

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photography

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men

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genre-painting

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athlete

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Curator: Before us we have a photographic print titled "Edward M. Daily, Pitcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes." It’s from 1887, and it was produced by Goodwin & Company. Editor: The sepia tone immediately gives it that vintage feel, a window into another era. The composition is surprisingly formal for what's essentially a sports card—centered figure, controlled pose. There's something stiff about it. Curator: These cards, inserted into cigarette packs, served a dual purpose. They were promotional tools, of course, but they also became records of popular culture, solidifying baseball players like Daily into a visual pantheon. They tap into this emerging hero worship of athletes. Editor: Right, he's a type, really, a symbol. And look at how contained he is within the frame, his limbs almost parallel—he creates and defines his own space. There’s a clear attempt to formalize a casual sport into something monumental. It's the stillness, the quiet monumentality that’s captivating. Curator: And notice his grip on the bat—not ready to swing, but holding it almost like a staff. This elevates him from mere player to, well, to someone holding an instrument of power or authority. Consider how photography itself was evolving; images like this shaped collective memory. The idea of this is to portray an iconic image of prowess and skill. Editor: Power indeed—controlled power. There is no dynamic motion, no sense of energy expenditure. Just this contained figure against a bland backdrop. It feels strangely artificial, very deliberately staged. He embodies restraint and discipline—even his striped cap adds to the rigid impression! Curator: It’s remarkable how these fleeting moments of athletic performance get transmuted into lasting cultural artifacts through these photographic portraits. Editor: Looking closely allows one to notice the slight disjunctions. The subject and its setting have been photographed in two very different lighting conditions to combine in one printed format to appear to share the same visual information. Yet in separating those visual aspects for inspection, a dialogue is born. Curator: Exactly, Goodwin & Company captured far more than just a baseball player; they preserved the evolving American identity. Editor: Precisely, this picture gives us new context. The picture lets us investigate.

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