Michael "Silent Mike" Joseph Tiernan, Right Field, New York, from the Old Judge series (N172) for Old Judge Cigarettes 1887
drawing, print, photography, albumen-print
portrait
drawing
aged paper
toned paper
photo restoration
baseball
photography
men
genre-painting
athlete
albumen-print
Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Curator: Here we have "Michael "Silent Mike" Joseph Tiernan, Right Field, New York," an albumen print dating to 1887, part of the "Old Judge" series created by Goodwin & Company as baseball cards to be included with their Old Judge Cigarettes. Editor: There’s a melancholic air to it. The sepia tones imbue it with such age, almost as if the paper itself holds a story. And that muted color palette really centralizes the formal elements like line and form here. Curator: The image served a dual purpose: advertising and popular culture artifact. It was distributed on a mass scale, yes, but it offered early fans an accessible image of their favorite athlete. Think about the hero worship implied in such accessible portraits. Editor: I am struck by the composition and geometry within. The lines of his striped jersey contrast beautifully against the smoother fabric of his cap. The photographer—or lithographer depending on how you categorize it—skillfully balanced textures to create an impactful design. Curator: That contrast surely elevated Tiernan into an icon. Baseball imagery, then as now, taps into something powerful about Americana, of course, as an expression of both idealized masculinity and community. A whole world and identity of collective memory in an object so small and portable. Editor: Precisely! Its visual elements create a harmonious composition that resonates even now, regardless of the cultural significance associated with baseball. The subtle details make it all stand apart from more routine commercial design. Curator: Seeing the progression of symbols in art like these "Old Judge" cards reveals evolving attitudes, which makes you think. It invites reflection on what we value and how we transmit those values visually across generations. Editor: Looking at it structurally, it shows a powerful synthesis of portraiture, advertisement, and early photographic technologies which elevates it beyond its initial use, offering us a rich semiotic web for us to unpack still today.
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