Panel by Ewe

Panel c. 20th century

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panel, weaving, textile, cotton

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african-art

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panel

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pattern

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weaving

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textile

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cotton

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textile design

Dimensions 95 3/16 × 63 1/2 in. (241.78 × 161.29 cm)

Editor: This is an Ewe panel, a textile from around the 20th century. It's a woven piece, primarily cotton, featuring a vibrant pattern of horizontal and vertical rectangles. The colours are muted yet striking, a mix of blues, reds, yellows, and oranges. It looks incredibly tactile. How do you interpret this work in the context of its origins and its display here? Curator: This textile is more than just a decorative piece; it's a potent visual statement embedded in the complex social fabric of Ewe culture. These patterns, repeated and varied, might represent status, lineage, or even philosophical ideas within the community. What stories do you think it can tell about power and representation? Editor: I suppose the colours and patterns could have specific meanings linked to social roles or historical events within the Ewe community. Do you think the choice of materials also plays a part in this narrative? Curator: Absolutely. Consider the labor involved in creating such a piece, the sourcing of materials, the techniques passed down through generations. It embodies a wealth of embodied knowledge and cultural resilience. How does the knowledge that it's now in a Western museum influence your understanding of it? Editor: That’s interesting. The museum setting removes it from its original context. Is it still possible to understand its original social function when it is displaced this way? Curator: Displacement inevitably alters meaning, but it also opens possibilities for new interpretations, prompting us to question power dynamics, cultural exchange, and the very act of preservation. What responsibilities do you think museums have in presenting such works? Editor: That’s a lot to think about. The museum definitely has a responsibility to give it proper context and honour the culture it originated from. Thank you for offering your perspective, that was truly insightful. Curator: My pleasure. Reflecting on these questions together reminds us that art, even in a museum setting, can be a catalyst for critical dialogue and social awareness.

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