Velvet panel 1959

Editor: Here we have a "Velvet panel" made in 1959. It's a textile piece crafted from cotton, and part of the Minneapolis Institute of Art collection. It has geometric designs in shades of brown, green, grey, and black. It feels so modern, I wonder what drove the design choices in the piece. What do you see in this work from a formalist perspective? Curator: From a formalist viewpoint, I am drawn to the interplay of geometric shapes and the texture of the velvet. Note how the artist uses the contrasting matte and plush surfaces to define these forms. It's fascinating how the artist created rhythm through the varied distribution of dark and light. How do the rectangles speak to you? Editor: Well, the way the rectangles are laid out, it's not quite symmetrical, but there is a very strong structural component to them...but the lack of a crisp border adds so much to the expression. What do you mean? Curator: Exactly! The subtle variations in the edges and the slight imperfections in the weaving disrupt any sense of rigid geometry. Do you think this interplay creates a unique visual experience for the viewer? Editor: I think so! The imperfections and disruptions lend the piece so much expression and personality. Like an irregular heartbeat in a regular body. The contrasting texture from the material and patterns are an exceptional take. Curator: Indeed. Focusing on its formal qualities allows us to appreciate the innovative techniques and design principles that underpin this abstract work. Considering design qualities like texture, symmetry, and geometrical shapes allows us to form a rich dialogue with art. Editor: Absolutely. Thanks, I will never look at velvet the same way again.