Regner Lodbrog 1646

Editor: This engraving, “Regner Lodbrog,” is an anonymous work from 1646, housed at the Statens Museum for Kunst. It’s striking – almost severe – with its crisp lines and formal composition. What aspects of the historical or social context are important for understanding this portrait? Curator: Given its creation in 1646, well after the Viking era, it's crucial to understand how the figure of Ragnar Lothbrok, the Viking king, was being *used* in the 17th century. Think about it – why resurrect a medieval figure in the Baroque period? Was he a figure of national pride, perhaps employed in early constructions of Danish identity? Editor: So, it's less about historical accuracy and more about symbolic value? The way historical figures get reshaped to serve contemporary agendas? Curator: Precisely. This engraving probably participated in constructing a narrative, visually solidifying ideas about lineage and power. Note the inscription; the image is doing active work, not just passively representing. What does the style tell you? Does the classicising frame around the image have significance? Editor: I see what you mean! The oval frame feels Roman, contrasting the 'barbaric' Viking image in the centre. So, it frames him in a classical heroic tradition? Curator: Exactly! The text too adds an extra layer: "Regnerus Lodbrog… victorious." In fact it explicitly makes him the bringer of fame across all of Europe. Editor: That's fascinating. I came in thinking about the actual historical figure, but the context of *making* the image says so much more! Thanks for reframing my understanding! Curator: My pleasure. It’s always more rewarding to look at what art *does*, and not just what it depicts.