Servet van linnendamast met klimop by Chris Lebeau

Servet van linnendamast met klimop c. 1904

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weaving, textile

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natural stone pattern

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art-nouveau

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feminine design

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pattern

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weaving

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textile

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retro 'vintage design

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embossing and debossing

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geometric

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fabric design

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repetition of pattern

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pattern repetition

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decorative-art

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imprinted textile

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layered pattern

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foil embossing

Dimensions length 70 cm, width 69 cm

Curator: What strikes me is the quietude. There’s a whispered elegance to this textile; it's as if the patterns are holding their breath. Editor: You've keenly noted its reserved nature. We’re looking at a linen damask by Chris Lebeau, crafted around 1904. The work, titled “Servet van linnendamast met klimop”, resides here at the Rijksmuseum. Damask is characterized by patterns woven using a single warp and weft, where the design is created by contrasting light reflecting off differing weave directions. Curator: Klimop… ivy. Right. So it’s whispering secrets of nature! Look at the intricacy of that repeated ivy motif and those almost snowflake-like blossoms. It's less about bold pronouncements and more about intricate, almost secretive beauty. I get a shiver thinking about it being used as a simple cloth… Editor: Exactly. This interplay between the intimate, utilitarian function and the artist’s aesthetic considerations, highlights Lebeau's commitment to elevating functional design to fine art, a key characteristic of the Art Nouveau movement. Semiotically, the ivy may be perceived as more than decorative: traditionally symbolizing attachment, friendship, and immortality. Curator: Immortality… woven into the fabric of everyday life. That's the bit that grabs me, that desire to turn something functional into an expression of life’s beauty and, maybe, its enduring spirit. Even that simple pattern border at the bottom; everything’s playing a part in a cohesive experience. Editor: Note too, the geometric and repeating aspects central to the aesthetic. The visual repetition emphasizes not only an underlying formal order, but enhances a layered, imprinted sense of design—creating an interesting visual dialogue when the material shifts across any surface. Curator: Yes! So simple, but there's such an undeniable beauty… a sense of serenity almost. Editor: A powerful reminder, I’d say, that design can speak volumes through the simplest materials. Curator: I concur. It's about finding the extraordinary within the ordinary. Thank you for that close reading; now I'll forever consider the quiet eloquence imbued in the functional items all around.

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