Apostel Paulus 1833

Curator: The somberness is what grabs me immediately. There’s a very direct, almost confrontational gaze, but with an undercurrent of melancholy. Editor: This is Friedrich von Amerling's "Apostel Paulus," completed in 1833. It's an oil painting, part of a tradition of history painting, but also fitting comfortably within the romanticism style prevalent at the time. Curator: History painting taking on a Romantic spirit—yes, absolutely. Look at the almost theatrical use of light and shadow, but even more tellingly, consider the sword. Swords are often representative of worldly authority and the powers invested in rulers. Paul subverted earthly power for faith. Editor: I find it fascinating how Amerling visually reconciles Paul the apostle, disseminator of doctrine, with Paul, historically Saul, the Roman citizen. He looks as if he is taking an oath. Curator: Precisely, we observe a striking contrast! That sword becomes a powerful signifier when coupled with his raised hand. He isn't just holding it; it's placed at the centre, presented— almost like an offering, as if declaring, "I am armed, yet my power is not of this world." That deliberate contrast speaks to the essence of spiritual transformation. He gave up his life as Saul for his life of faith as Paul. Editor: Do you think that's why Amerling has chosen this particular depiction? The romanticism of it seems to point to the personal relationship of humanity with the divine, turning away from a hierarchical approach to one that allows each to reach toward salvation? It places individual experience within this enormous theological shift. Curator: Yes, this choice reflects a deliberate effort to create an icon of internalized belief, almost democratizing faith via a familiar format. It’s quite an emotionally powerful image, isn't it? To stand defiant while surrendering entirely. Editor: The piece's effectiveness truly lies in its simplicity. While grand historical depictions overwhelm us, this more intimate, almost vulnerable Paul, seems very intentional in his appeal.