English Heritage - Humpty Fucking Dumpty by  Bill Woodrow

English Heritage - Humpty Fucking Dumpty 1987

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Dimensions: object: 2390 x 3276 x 1067 mm

Copyright: © Bill Woodrow | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Bill Woodrow's "English Heritage - Humpty Fucking Dumpty," housed at the Tate. It's a large sculpture, primarily constructed from wooden boxes and other found objects. I'm struck by how precarious and unstable it looks. What does this imagery evoke for you? Curator: The Humpty Dumpty image is potent. The nursery rhyme figure is, of course, about a great fall. In Woodrow's hands, does the image of the nuclear symbol on one of the crates suggest a post-nuclear fall of civilization? Editor: That's a compelling interpretation. The nuclear symbol definitely adds a layer of anxiety to the already unstable form. Curator: The artist makes us think about cultural fragility in the face of technological and environmental dangers. It all seems very current. Editor: I didn't think of it that way. I see now a fusion of childhood innocence and impending doom. Curator: It highlights how symbols can unexpectedly tap into our deepest collective fears.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/woodrow-english-heritage-humpty-fucking-dumpty-t05009

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tate 2 days ago

Wedged between the sections of a vaulting box are representations of a wheeled plough, a book, a clocking-in machine and a box with radiation hazard markings. This succession of objects symbolises human progress, creating what Woodrow calls 'a section through history'. At the top of the precarious structure sits the figure of Humpty Dumpty who, according to the nursery rhyme, 'sat on a wall' and 'had a great fall'. The ironic title English Heritage reflects Woodrow''s discomfort with the amount of jingoism in Britain during the 1980s, as well as a desire to question what actually constitutes his own heritage. Gallery label, August 2004