Dimensions: 81 3/16 x 81 1/2 in. (206.22 x 207.01 cm)
Copyright: Public Domain
This quilt, whose maker is unknown, is a textile artwork composed of countless small squares. There's something so satisfying about how these colours play off one another, like little colour chords creating harmony as they move outwards to the brown edges of the quilt. Imagine the maker of this quilt, snipping and sewing these small squares of fabric together. The act of creation, a slow and methodical meditation made physical. See how the colours shift and change, how the eye moves in and out? It's easy to get lost in the details here, the way the blues and pinks converge in the center diamond before expanding outward. The slight imperfections, the occasional wonky stitch, these things only add to its charm, they become integral to the piece, evidence of a human touch, a story of someone who sat and laboured over this artwork with love. It reminds me of the work of Gee's Bend quilters, particularly their use of improvisation and bold colour combinations. Art isn't about perfection, it's about embracing the unexpected, the happy accidents that arise along the way.
Traces of wear and tear tell us this quilt functioned as a bedcover. To create it, an Amish woman gathered and stitched together a variety of fabric pieces—cottons, satins, fine dress woolens, and even synthetics. Strict codes governed Amish everyday life in the 1800s and early 1900s such that Amish women used mainly homespun fabrics in somber colors produced by natural dyes. Though they adopted the sewing machine when it was invented in the mid-1800s, they continue to use only treadle models, powered by foot. That the maker of this quilt incorporated purchased fabrics dyed with synthetic colors reflects the changing times in which she lived.
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