Plate 1760 - 1770

Editor: So this piece, simply titled "Plate," dates back to somewhere between 1760 and 1770. It's earthenware, a type of ceramic, and it's here at the Metropolitan Museum. There’s something about the color palette - the earthy tones against those watery greens – that feels… unexpectedly modern. What do you make of it? Curator: It sings to me of secret gardens, of moss after rain, of unearthed relics whispering stories of tea parties long past. Don't you find it intriguing how such a humble object can carry so much history? It reminds me of my grandmother's stories, both fragile and enduring, if that makes sense. I find myself wondering: what would people eat on this plate? A simple biscuit, perhaps, or some vibrant fruit from a bustling market? Editor: Absolutely! The details around the edges—that almost lattice-like pattern—gives it a tangible sense of history. Why do you think the piece adopts such a muted palette, and what kind of statement could that be making? Curator: I see it as a move away from gaudier colours that you find in say, Royal Doulton, something very contemporary. And for me, that’s it’s charm! It doesn't scream for attention; it invites quiet contemplation. Do you imagine it could have been part of a larger set? Editor: It definitely seems like it would have belonged to other plates. It’s a beautiful example of art history adding subtle statements, as you were saying! Curator: Exactly! It seems simple, but like the perfect cup of tea, it leaves one satisfied. Editor: That's a very cozy image, thank you! It adds an incredible layer of human character to this otherwise material form. Curator: Indeed! The ordinary suddenly becomes extraordinary through touch and memory. And hopefully for the viewer, an encounter they won’t soon forget.