Curator: This is Robert White’s portrait of Thomas Manton. It's an engraving, now residing at the Harvard Art Museums. The fine lines create a very formal, somber tone, don’t you think? Editor: Absolutely. There’s a weight to it, a sense of the sitter being a man of substance. The framing, like a baroque window, and the heraldic crest certainly add to that feeling of established power. Curator: Manton was, in fact, a prominent Puritan minister. This image would have circulated amongst his followers, reinforcing his authority and piety. Editor: I am struck by the ways imagery of authority are circulated, especially within religious contexts. This work prompts questions about the construction of celebrity and influence. Curator: Indeed, this portrait is a fascinating lens through which to view religious and political power structures of the time. Editor: Reflecting on this work really highlights how portraits can function as both records and carefully crafted statements.